Ariosto and baroque opera, performer, early music and baroque music, discography
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COMPOSERS
Luigi Boccherini
INTERVIEWS
Christophe Rousset
Hiro Kurosaki
10 CDs for a desert island : Raquel Andueza
Ariosto and baroque opera
Michael Talbot: Recent Vivaldi discoveries
ESSAYS
The two Renaissances of the Vihuela
Sixteenth-Century Béarnaise Protestant Psalms : The Establishment of a Religious, Linguistic and Political Strategy
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COMPOSERS
Ariosto and baroque opera
INTERVIEWS
ARIOSTO AND BAROQUE OPERA
Ariosto and baroque opera
By Frédéric Delaméa. Translated by 'Traduit'
I had not previously gone so far as to call him an epic poet; I had only considered him to be like the first of the grotesques; but after re-reading his work, I found him both sublime and pleasant, and I am now making a humble retraction. It is quite true that Pope Leo X published a bull in favour of Orlando furioso and declared that all those who spoke ill of this poem would be excommunicated. I would not wish to be excommunicated.
Voltaire, Dictionnaire Philosophique, Epopée article

Almost two and a half centuries after Voltaire wrote the above article, the third and final version of Ludovico Ariosto’s Orlando furioso was published at Ferrara in 1532.

It was during these two centuries that this work earned a universal reputation and became a major monument of Western literature.

So much so, that the demanding Lord of Ferney wrote of it, “Ariosto’s novel is so rich and varied, so plentiful in all manner of beauty, that after reading his work from cover to cover, on more than one occasion I have been overwhelmed by the desire to read it again”.

Voltaire, that contemptuous scoffer, bowed before “this wondrous work” without hesitation, which he placed on a par with the Iliad and the Odyssey, just below Don Quixote...

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