Heinrich Schütz, composer, biography, discography
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COMPOSERS
Heinrich Schütz
INTERVIEWS
Emma Kirkby
10 CDs for a desert island : Joshua Rifkin
ESSAYS
Fux´s Vienna
Travel notes II
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COMPOSERS
Schütz, Heinrich
COMPOSERS
HEINRICH SCHÜTZ
Heinrich Schütz
Three works by the German painter Hans Baldung illustrate this article: The Three Graces, The Three Ages and Death, and Adam and Eve. All three paintings are located in Madrid, the first two in the Prado and the latter in the Thyssen-Bornemisza Museum.
One of the Graces (Music) holds a lute. The other two are Beauty and Poetry. A viola da braccio is lying on the floor. One of the children holds a score. Are they about to play?
One century before the birth of Bach, the German composer Heinrich Schütz (1585-1672) single-handedly ushered his country onto the European musical scene. Schütz was a pioneer and pre-eminent composer, a transitional figure linking the very different worlds of the Renaissance and the Baroque.

Schütz’s youth Schütz was born into a family of prominent innkeepers in Köstritz. His education, of which music was a part, was thorough. He studied with the organist Heinrich Colander, among others, and progressed so rapidly that he attracted the attention of Moritz, Landgrave of Hessen-Kassel, who stayed overnight in the family inn in Weissenfels.

Moritz, a humanist and patron, invited the young Schütz to study at his Collegium Mauritianum in Kassel; Schütz arrived there in 1599. He received advanced musical training and pursued general studies at a high level in Kassel. Ten years later, an annual stipend of 200 thalers granted by the Landgrave allowed him to go to Venice to “undertake serious studies” with the famous Giovanni Gabrieli, organist at St. Mark’s and master of Venetian works for multiple choirs.

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