Leonora: Baroque Women IX Duarte, composer, biography, discography
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COMPOSERS
Marc-Antoine Charpentier
Leonora Duarte: Baroque Women IX
INTERVIEWS
Frans Brüggen
10 CDs for a desert island : Véronique Gens
ESSAYS
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COMPOSERS
Duarte, Leonora: Baroque Women IX
COMPOSERS
LEONORA DUARTE: BAROQUE WOMEN IX
Leonora: Baroque Women IX Duarte
From time to time scholarship on women musicians also turns up information not otherwise available about men in music.

Such is the case with the members of the Duarte family, who were active in the cultural and musical life of 17th-century Antwerp. Thanks to Rudolf Rasch’s article about Leonora Duarte in the Dictionary of Women Composers (Sadie and Samuel, eds., London, 1994), we learn of the existence of the Duarte family’s musical circle.

Few (if any) other dictionaries of musicians mention the family at all. Even if we cannot point to one member of the family as having pursued a musical career, this contribution aims to draw wider attention to a musical circle that appears to have been important in the performance, discussion, and dissemination of the contemporary music of the 17th century.

The Duarte family, assimilated Portuguese Jews (sometimes referred to as “crypto-Jews”), gained its wealth through successful commerce in jewels and, especially, diamonds—a product to which the city owes its renown to this day.

In addition to their trade in precious stones, the family also dealt in the sales of artwork. Gaspar Duarte (d. 1653) and Catharina Rodrigues (1585-1644) were the parents of six children: three of the four sisters—Leonora (b. 1610), Catharina (b. 1614), Francisca (b. 1619)—perished in the wave of pestilence that spread through the city of Antwerp in 1678. Isabella (b. 1620) and her brother Gaspar (b. 1616) both died in 1685; a second brother, Diego (b. 1612), lived until 1691.

Biography
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