The group takes its inspiration from the 17th-century harp consort formed in England at the court of Charles I: in contrast to the homogeneous string orchestra (also formed at this time), the Consorte brought together diverse types of solo instruments -harp, lutes, keyboards, strings- and voices, to create colourful new combinations in the fashion of the day.

Like the 17th-century Consorte, The Harp Consort is formed around the accompanying instruments of the basso continuo and brings together an international team of musicians who create a rich variety of timbres.

Although continuo-players have a written bass-line, they must improvise harmonies and melodic figures on different instruments and in the appropriate style for the period and country. The Harp Consort takes continuo as a model for all kinds of performance, combining the spontaneity of improvisation with careful attention to the particular colours of each repertoire.

The Harp Consort’s programmes range from medieval drama and solo songs to baroque opera, from new works for early instruments to exuberantly danced suites. The ensemble’s stage-shows of 17th-century Spanish dances, early Irish planxties, and German baroque dances have delighted audiences around the world. The Harp Consort is much sought after for its chamber-music recitals and has made a distinguished series of award-winning recordings.