The early twentieth century witnessed a resurgence of interest in the music of the Italian composer Evaristo Felice Dall’Abaco (1675—1742).  Dall’Abaco’s works were hailed as the “finest and purest type of Italian chamber music at the peak of its development,” and were considered to have surpassed even those of Corelli. Today, however, his music is very much neglected, and the composer’s name has sunk into near obscurity. 

This recording by Giorgio Sasso and the Insieme Strumentale di Roma is a welcome reminder of the Veronese master’s legacy, as the ensemble presents a program of contrasting works from Dell’Abaco’s opera prima and opera terza.  The musicians skillfully explore the stylistic differences between these two volumes; the pervasive Corellian influence found in op. 1 yields to the French style that characterizes the later collection. 

Sasso realizes the expressive potential of Dell’Abaco’s early works through lyrical phrasing offset by speech-like articulation, and balanced by a good sense of momentum. The Adagio from the Sonata in D minor, op. 1, is especially memorable in this regard. The performances of works from the later collection are characterized by a remarkable clarity of phrasing and ornamentation, emphasizing the French influence that is at their core. 

The Largo from the Sonata in B minor, op. 3, No.3, in particular, highlights a deep understanding of the style not only by the lead violinist, but also by the second violin and the cello, thus reaffirming the high standard of musicianship that is set throughout this fine recording. ŽAK OZMO